LAB_WORKS COVID_19 - Choreographien aus der Isolation - Generalprobe - Premiere - Bühnen-Neuproduktion des Staatsballetts Berlin nach dem Lockdown von Choreographen aus dem Ensemble - Tänzer und Tänzerinnen, Staatsballett Berlin - Komische Oper Berlin - 02.09.2020 - Quelle: Staatsballett Berlin - Photos © Detlev Schilke / detschilke.de
Choreographie: Dana Pajarillaga und Lukas Malkowski
Lichtkonzept: Chris Malkowski
Musik: auf der Basis von Frank Ocean (“Siegfried”)
Dana Pajarillaga, Lukas Malkowski
We move in isolation
Slow, soft, support
Holding space
submerged crashes
Porous relations
Deep connections
Soaking in our solitude
You exchange I
Waves
of emotions, of breath, of flesh
Floods
Of solidarity, of loneliness
Deep below the surface
We are here.
Das Team dankt Antonio Ruz für die künstlerische Beratung, sowie Love-in, Sasha Waltz und dem Radialsystem.
I’M HERE NOW
Konzept, Inszenierung: Tara Samaya, Pippa Samaya
Choreographie: Tara Samaya in Kooperation mit den Interpreten
Musik: B.E.N.(“When you hold your breath, you lose it“), Claude Van Stroke („Slink“)
Video: Pippa Samaya
Jenna Fakhoury, Paul Vickers
»Goodness pushes up through the chaos of our internal world, and we feel lit from within by a light we had no idea was there.« (Sarah Blondin)
Das Team dankt Paul White für seine künstlerische Begleitung.
Konzept, Inszenierung: Tara Samaya, Pippa Samaya
Choreographie: Tara Samaya in Kooperation mit den Interpreten
Musik: B.E.N.(“When you hold your breath, you lose it“), Claude Van Stroke („Slink“)
Video: Pippa Samaya
Jenna Fakhoury, Paul Vickers
»Goodness pushes up through the chaos of our internal world, and we feel lit from within by a light we had no idea was there.« (Sarah Blondin)
Das Team dankt Paul White für seine künstlerische Begleitung.
THE ZERO
Choreographie, Text und Sound: Ross Martinson
Ross Martinson
»They sat inside the sanatorium, this fish tank for dogs, on their four feet since around 900 years as they caught it on a piece of paper.
Why are they sitting in this way? Is it because they have T.V Tooth?«
Choreographie, Text und Sound: Ross Martinson
Ross Martinson
»They sat inside the sanatorium, this fish tank for dogs, on their four feet since around 900 years as they caught it on a piece of paper.
Why are they sitting in this way? Is it because they have T.V Tooth?«
LOve distaNT
Choreographie: Vivian Assal Koohnavard
Musik: Ali Reza Ostovar (“Lalai”, feat. Hani Mojtahedy, Auszug)
Vivian Assal Koohnavard, Marco Arena
How can we love with distance?
The time of lockdown, of being separated has shown the importance of love. Physical love.
To feel, to touch and sense someone. To look into someone’s eye or to react to someone’s smile.
This time has shown how essential it is for us humans, to love and to be loved.
This is a time where we are more aware of our emotions. Time has stopped and you are feeling.
Feeling that something is wrong. How wrong it is to be apart, separated and restricted.
You think it is only a child that needs the love, comfort and warmth of another human being, but it is also us adults. We are just too busy to realize it. That we can not survive without love.
The woman, Hani Mojtahedy, singing in the music I have chosen, by Alireza Ostovar, is singing a lullaby in Persian.
Sometimes we need to listen to a lullaby too, even if we are getting older, to feel calm, safe and loved.
So do not forget to love (with distance) and take care!
Love,
Assal
Die Choreographin dankt Filipa Cavaco (Video) sowie Alizée Sicre und Alexei Orlenco.
Choreographie: Vivian Assal Koohnavard
Musik: Ali Reza Ostovar (“Lalai”, feat. Hani Mojtahedy, Auszug)
Vivian Assal Koohnavard, Marco Arena
How can we love with distance?
The time of lockdown, of being separated has shown the importance of love. Physical love.
To feel, to touch and sense someone. To look into someone’s eye or to react to someone’s smile.
This time has shown how essential it is for us humans, to love and to be loved.
This is a time where we are more aware of our emotions. Time has stopped and you are feeling.
Feeling that something is wrong. How wrong it is to be apart, separated and restricted.
You think it is only a child that needs the love, comfort and warmth of another human being, but it is also us adults. We are just too busy to realize it. That we can not survive without love.
The woman, Hani Mojtahedy, singing in the music I have chosen, by Alireza Ostovar, is singing a lullaby in Persian.
Sometimes we need to listen to a lullaby too, even if we are getting older, to feel calm, safe and loved.
So do not forget to love (with distance) and take care!
Love,
Assal
Die Choreographin dankt Filipa Cavaco (Video) sowie Alizée Sicre und Alexei Orlenco.
91_DIVOC
Choreographie: Olaf Kollmannsperger
Musik: Radiohead („Like Spinning Plates“)
Licht und Projektion: Tom Visser
Dana Pajarillaga, Weronika Frodyma
»A timeline rewinded from a futuristic point of view of the biggest challenge the society has been facing.
Living Dead. Mutation. Animal Behaviour. Sickness. Infection. Paranoia. Quarantine. Confusion. Old Normality.«
Choreographie: Olaf Kollmannsperger
Musik: Radiohead („Like Spinning Plates“)
Licht und Projektion: Tom Visser
Dana Pajarillaga, Weronika Frodyma
»A timeline rewinded from a futuristic point of view of the biggest challenge the society has been facing.
Living Dead. Mutation. Animal Behaviour. Sickness. Infection. Paranoia. Quarantine. Confusion. Old Normality.«
Control SHIFT
Konzept: Alexander Abdukarimov, Aubert Vanderlinden
Inszenierung: Alexander Abdukarimov
Audiovisuelles Design: Stanislav Glazov
Eloïse Sacilotto, Nikolay Korypaev
»Das Stück CONTROL SHIFT ist ein interaktives Stück, bei dem die Tänzer mittels einer Signalquelle die Impulse geben, durch welche die Muster für die Musik und die Visualisierung des Lichts erzeugt werden. Die Tänzer kontrollieren auf diese Weise die Bühne.«
Die Technologie wurde von MICTIC zur Verfügung gestellt, die Umsetzung mit freundlicher Unterstützung von Red Bull ermöglicht.
DU BIST DIE RUH’
Choreographie: Andreas Heise
Musik: Franz Schubert
Kostüm: Sascha Thomsen
Yolanda Correa
Choreographie: Andreas Heise
Musik: Franz Schubert
Kostüm: Sascha Thomsen
Yolanda Correa
C020
Choreographie: Arshak Ghalumyan
Musik: Ezio Bosso
Video: Arshak Ghalumyan
Sarah Brodbeck, Vahe Martirosyan, Arshak Ghalumyan
Choreographie: Arshak Ghalumyan
Musik: Ezio Bosso
Video: Arshak Ghalumyan
Sarah Brodbeck, Vahe Martirosyan, Arshak Ghalumyan
PARLIAMENT
Choreographie: Johnny McMillan
Musik und Sounddesign: Johnny MacMillan, Pink Floyd (Auszug)
Jenna Fakhoury, Ross Martinson, Johnny McMillan, Dany Pajarillaga, Tara Samaya, Harumi Terayama, Lucio Vidal
Das Staatsballett Berlin dankt der Designerin Beate Borrmann.
Choreographie: Johnny McMillan
Musik und Sounddesign: Johnny MacMillan, Pink Floyd (Auszug)
Jenna Fakhoury, Ross Martinson, Johnny McMillan, Dany Pajarillaga, Tara Samaya, Harumi Terayama, Lucio Vidal
Das Staatsballett Berlin dankt der Designerin Beate Borrmann.
Quellen: Staatsballett Berlin - Photos © Detlev Schilke / detschilke.de
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