Pharoah Sanders lebt nicht mehr - R.I.P.

 

Jazzfest Berlin 2013, Pharoah Sanders, saxophon, - Gnawa Jazz Voodoo, Joachim Kuehn Africa Connection, feat. Pharoah Sanders 

31.10.2013, DEU, Berlin: Jazzfest Berlin 2013, Pharoah Sanders, saxophon, - Gnawa Jazz Voodoo, Joachim Kuehn Africa Connection, feat. Pharoah Sanders 

Pharoah Sanders for Interview by Ashley Kahn, JazzTimes, USA, February 2008, 12.01.2008, Vol. 38 No 1, Pages 92/93 - Photos © Detlev Schilke

Moers, DEU, 24.05.1996: Pharoah Sanders, Tenorsaxophon, 25. New Jazz Festival Moers 

Pharoah Sanders, eigentlich Ferell Sanders (* 13. Oktober 1940 in Little Rock, Arkansas; † 24. September 2022 in Los Angeles, Kalifornien), war ein amerikanischer Jazz-Musiker, Tenorsaxophonist und Multiinstrumentalist. Den Künstlernamen Pharoah verlieh ihm Sun Ra, mit dem er in New York Anfang der 1960er Jahre gemeinsam auftrat. Quelle: wikipedia - Photos © Detlev Schilke

 

Pharoah Sanders, piercing jazz saxophonist, dies at 81
Musician went from John Coltrane’s band to long solo career marked by bold improvisation, spiritual searching - The Washington Post

 

>>> Music of Pharoah 

>>> Ferrell „Pharoah“ Sanders 

>>> Martin Laurentius in Jazz thing

Louie Bellson, Drums, JazzFest Berlin 1991

JazzTimes_JT Archives > Louie Bellson > Louie Bellson: Beat Poet

Updated June 29, 2020  – David Zych

Photo-copyright: DETLEV SCHILKE

JazzFest Berlin 1991 - Louie Bellson, Drums

 

Louie Bellson (Schlagzeug)
(b: 6.Jul.1924, Rocks Falls/IL; d: 14.Feb.2009, Los Angeles/CA)
Der Schlagzeuger Louie Bellson starb am 14. Februar in Los Angeles im Alter von 84 Jahren. Bellson hatte bereits in den Bigbands von Benny Goodman, Tommy Dorsey und Harry James gespielt. […] Quelle: Jazzinstitut Darmstadt

Paco de Lucia and John McLaughlin, 1987

Paco de Lucia (left) and John McLaughlin, 1987

Previously unreleased gem features acoustic mastery from Paco de Lucía and John McLaughlin

Published: May 25, 2016 by Admin Filed under: Новости джаза_jazzmusic.in

copyright © Detlev Schilke 

Photo hier: Open-Air-Konzert mit Paco de Lucia und John McLaughlin am 17.07.1987 beim Berliner Rocksommer auf der Festwiese der Insel der Jugend im Treptower Park, Berlin-Ost.

Bill Dixon: Veiled Odyssey - Updated September 30, 2020 - JazzTimes

Trumpeter Bill Dixon - JazzTimes - May 2001 - Bill Dixon: Veiled Odyssey

Updated September 30, 2020  – Graham Lock  

Trumpeter Bill Dixon seems less than impressed by any kind of public approval.
“I’m suspicious of anyone the society grabs and makes a fuss over,” he says. “If too many people dig what you do, you’d better re-examine it. It may not be what you think it is.” 

[…] "Ich bin misstrauisch gegenüber jedem, den sich die Gesellschaft schnappt und über den sie Aufhebens macht", sagt er. "Wenn zu viele Leute auf das stehen, was Sie tun, sollten Sie es besser noch einmal überdenken. Es ist vielleicht nicht das, wofür Sie es halten." […]

Photo © Detlev Schilke 

 

Foto: 20.11.1994, Bill Dixon, beim JazzFest vor dem Soundcheck im Saal des "Haus der Kulturen der Welt" , Tony Oxley Celebration Orchestra, feat. special guest Bill Dixon, Trumpet, Flügelhorn - Photo © Detlev Schilke / detschilke.de

Tracce di Jazz - from Jazz-fans to jazz-fans

Uccelli bianchi: Escher vs Dixon
53rob ottobre 27, 2020 

Weisse Vögel: Escher vs. Dixon

[…] Wir waren in einer Kirche, und es war, als ob das Gebäude einstürzte und aus Dixons Brust Tausende von flatternden weißen Vögeln herauskamen, die Spuren von Gold und Silber am Himmel hinterließen. Es schien wie eine Ewigkeit, aber es war nur eine Minute Ton. Bill beendete das Solo mit einem aufsteigenden Wirbelsturm, und es war, als ob der Klang die Granitstruktur durchdrungen hätte und für immer dort stecken geblieben wäre. […] Quelle: Tracce di Jazz

JazzTimes Magazine - “Paco & John: Live at Montreux 1987”

JazzTimes Magazine
Eagle Rock to Release “Paco & John: Live at Montreux 1987”
Paco de Lucia (left) and John McLaughlin, 1987
Photo © Detlev Schilke
Photo hier: Open-Air-Konzert mit Paco de Lucia und John McLaughlin am 17.07.1987 beim Berliner Rocksommer auf der Festwiese der Insel der Jugend im Treptower Park, Berlin-Ost.

Previously unreleased gem features acoustic mastery from Paco de Lucía and John McLaughlin
24.05.2016 By Carolina Worrell

JazzTimes - "America's Jazz Magazine" MARCH 2015 - Paco and John

JazzTimes - "America's Jazz Magazine"
MARCH 2015, VOLUME 45, NUMBER 2, PAGE 46,
IN MEMORIAM, PACO DE LUCÍA 12.21.47–2.26.14
By John McLaughlin

Photo © Detlev Schilke
Open-Air-Konzert with Paco de Lucia and John McLaughlin
17.07.1987  Berliner Rocksommer
Festwiese, Insel der Jugend
Treptower Park, Berlin-East, GDR.

JazzTimes April 1996 - Impressions

Eines meiner Fotos aus der Serie IMPRESSIONS in der JazzTimes, USA
Gefunden in Google books

It's Showtime! - JazzTimes 2008

Mein Foto in der JazzTimes... grad in meinem Archiv entdeckt...

JazzTimes - Bill Dixon: Veiled Odyssey

Trumpeter Bill Dixon JazzTimes - May 2001 - Page 75-76 Trumpeter Bill Dixon seems less than impressed by any kind of public approval. “I’m suspicious of anyone the society grabs and makes a fuss over,” he says. “If too many people dig what you do, you’d better re-examine it. It may not be what you think it is.” By Graham Lock 

 

>>> Update

 

...und direkt bei books.google.com: Bill Dixon

Inside the PIANO - By Bill Shoemaker

Inside the PIANO

FOR MORE THAN 75 YEARS, pianists and composers thinking outside the box have gone inside the piano for new sounds. As early as 1923, Henry Cowell wrote pieces where damper-released strings are plucked and strummed. By 1938, John Cage had created the first prepared-piano pieces, in which nuts, bolts and other objects were inserted between specific strings to create percussive timbres when keyed. Successive waves of composers expanded the methodologies. Beginning in the ’70s, George Crumb excited strings with various objects, separately and in tandem with conventional keyboarding. In the ’80s, Stephen Scott (not the Sonny Rollins-affiliated pianist) crowded as many as nine people around a single grand piano, each using pocket-sized bows made with fishing line. In the ’60s, jazz pianists as varied as Keith Jarrett and Sun Ra began to go inside the piano for momentary exotica. - By Bill Shoemaker - Photograph by Detlev Schilke

Pharoah Sanders: Jewels of Thought

© Detlev Schilke for JazzTimes - America´s Jazz Magazine

[...] The irony is that at the age of 66, the white-bearded veteran’s music has long since grown to a full range of moods and styles. It was way back in the late ’60s, after his profile was raised high by a two-year stint in John Coltrane’s final lineup, that Sanders began to expand his sound. Subsequent recordings, on Impulse! Records in the ’70s, and a succession of independent labels through the ’80s and ’90s, brought forth an accessible, at times gentle, fusion of R&B, soul and world influences. [...]
© Ashley Kahn for JazzTimes